D.A.F's most famous song is the grimly sarcastic "Der Mussolini" from the album "Alles ist gut", a pulsing dance song featuring the lyrics "Dance the Mussolini, move your behind, clap your hands, and now the Adolf Hitler, and now the Jesus Christ, and now the communism ...". The song caused a scandal amongst the more humorless elements of German liberal society. There have been rumours that the group's name is really a tribute to the Deutsche Arbeitsfront (a Nazi labour organization); however, D.A.F.'s style is arguably anti-political, possibly even nihilistic, and most of their lyrics concern more physical matters. At best, they are referenced as a punk band advancing into electronic music. A few months before the 2003 invasion of Iraq D.A.F. released "The Sheriff (An Anti-American Song)" criticizing American imperialism.
"quote" If i was Will Smith at a party i would be hanging around with these guys"
Disc One- Jean Lee and the Yellow Dog 1.Hang Jean Lee 2.Miracles 3.That Depends part3 4.Daddy's Girl 5.Skinny Jean 6.Yellow Dog 7.Demolition 8.Shame 9.Real To me (1) 10. Real To me (2) 11.Finding you 12.Ambient Piece
Disc Two- 1.Conscience (out-take) 2.The Big 900 (out-take) 3.Colonel Kramer (out-take) 4.He Asked For Water and Jean Gives Him Gasoline (out-take) 5.Miracles (Demo) 6.Shame (Demo) 7.The Depends (Part 1) 8. Jean Behind the wall of sleep (Ed,Jeff and Sir Alfonso horsin' around in the studio)Another Version Of An Australian Badland (out-take)
Sounds like: Sex and Yodelling
Ed Kuepper was a former member of the Australian Punk Band "The Saints" His solo Album "Jean Lee and the Yellow Dog"
Daniel Johnston has spent the last 20 or so years exposing his heartrending tales of unrequited love, cosmic mishaps, and existential torment to an ever-growing international cult audience. Initiates, including a healthy number of discerning musicians and critics, have hailed him as an American original in the style of bluesman Robert Johnson and country legend Hank Williams. A number of artists -- among them the Dead Milkmen, Yo La Tengo, the Velvet Underground's songs. And he as collaborated with the likes of Jad Fair (a founding member of Half Japanese, who've also done Daniel's songs), the Butthole Surfers, Bongwater/Shimmydisc guru Kramer, and members of Sonic Youth. Daniel gained his widest public exposure to date when, at the 1992 MTV Music Awards, Nirvana leader Kurt Cobain (who constantly touted Daniel in interviews) wore a Johnston T-shirt.
Surprisingly, the bulk of his considerable acclaim snowballed from a series of homemade, lo-fi cassettes which Daniel started recording and handing out to fans and friends alike in the early 80s. Eventually, the independent label Homestead re-issued some of these tapes on CD, and Johnston recorded a few new albums in almost-proper studios.
Daniel was born in 1961 in Sacramento, California, the youngest of five children in a Christian fundamentalist household> He and his family soon moved to New Cumberland, West Virginia, where his father, an engineer and World War II fighter pilot, landed a job with Quaker State. Drawing for a long time before he took up music, Daniel grew to appreciate such artists John Lennon, Yoko Ono, Bob Dylan, David Bromberg, Queen, Neil Young, the Sex Pistols, and especially the Beatles. "When I was 19, I wanted to be the Beatles. I was disappointed when I found out I couldn't sing." That Liverpudlian quartet continues to inspire Daniel today, who sings, "My heart looked to art and I found the Beatles/Oh God I was and am a true disciple on Rock 'n' roll/EGA."
While it would be years before Daniel committed his first songs to tape, he began composing at an early age. "When I was a kid, probably nine, I used to bang around on the piano, making up horror movie themes. When I got a bit older, I'd be mowing my lawn and I'd make up songs and sing them. No one could hear me 'cause of the lawn mower." As a teenager, Daniel and his friends began to record their own tapes and trade them among themselves. After high school, he attended an art program at a branch of Ken State near his family's home. This was a prolific period of his life. Unemployed, and attending classes sporadically, he began to spend most of his time in his family's cellar, writing and recording. The tapes he made there included "Songs of Pain" and "More Songs of Pain," which both centered around his unrequited love for a woman named Laurie who ended up marrying an undertaker.
The aspiring cartoonist -- whose playful, symbol-heavy sketches have graced the covers of may of his releases, including "Fun" -- moved to Texas in 1983. FIrst he went to Houston, living with his brother and working at Astro World, while also recording the seminal tapes "Yip/Jump Music" and "Hi, How Are You?" on a $59.00 Sanyo mono boom box. These recordings featured such classics as "Speeding Motorcycle," "Sorry Entertainer," and odes to everyone from "Casper the Friendly Ghost" and "King Kong" to "The Beatles." From there he moved to San Marcos, TX, and even joined a traveling carnival show for a spell, selling corndogs. "It was like a movie all the time. Everybody around me was a great story that never stopped, and for the first time, I realized how much freedom you have to do what you want."
Throughout his career, Daniel's songs and drawings have been informed to some degree by his ongoing struggle with manic depression -- lending an added poignancy to his soul-searching times. His five-month stint with the carney left him in Austin, where he decided to stay. In the midst of that city's mid-eighties music scene, Johnston was a definite iconoclast. While he continued to hand out his tapes for free, Austin record stores started selling them; in fact, the became best-selling local releases. Soon, a camera crew from MTV's seminal "Cutting Edge" show came to town and all the Austin bands suggested they feature Daniel.
His appearance on the show made him a minor celebrity. Recognizing the quality of his songs and the purity of his vision, the American underground began to embrace Daniel. The Dead Milkmen recorded his song "Rocket Shop," and Sonic Youth and noted Minutemen/FIREHOSE bassist Mike Watt made plans to record some of his material, as did The Butthole Surfers and other Austin bands. The music press both here and abroad began to weigh in with lofty pronouncements of Daniel's artistry.
In the spring of 1992, the Lyon Opera Ballet commissioned a piece from New York-based choreographer Bill T. Jones. He delivered "Love Defined" - a 25-minute piece set to six songs from Johnston's Yip/Jump Music. In October of that same year, the Bill T. Jones/Arnie Zane combo performed "Love Defined" at New York's Joyce Theatre. The reviews in the New York Times and the Village Voice each cited Johnston's songs favorably. Over the years, Daniel's paintings and drawings have been exhibited in Los Angeles, Zurich, and Berlin. The cover of a recent edition of music writer Richard Meltzer's "The Aesthetics of Rock" was drawn by Johnston.
UPDATE:
The 90's were difficult for Daniel, but will probably be regarded as the years that medical relief was achieved. Modern medications eventually achieve stability.
He signed with Atlantic Records in 1992 and released "FUN" which sold 12,000 copies. But his mental stability and productivity didn't produce another album until 1999 with Brian Beatties production "Rejected Unknown".
Mark Linkous of Sparklehorse collaborated with Daniel in the 2003 release "Fear Yourself" on Gammon Records, making what many regard as an "accessible" contemporary sound to Daniel's music ideas.
In November of 2004, Gammon records released a cover tribute album with covers from eighteen artists on one CD and Daniel's originals on the second CD. This work, "Discovered Covered - The Late Great Daniel Johnston" gave Daniel new exposure to fans of Beck, Clem Snide, Gordan Gano, Eels, Calvin Johnson, Tom Waits and others.
In January, 2005, the feature-length documentary "The Devil and Daniel Johnston" premiered at Sundance Film Festival and at film festivals around the world that year. The movie was distributed in North America by Sony Pictures Classic and by Tartan Films in the United Kingdom on March 31, 2006.
Daniel's music and artwork are available for sale in the Hi, How Are You Storefront, along with t-shirts and memorabilia. .
Once upon a time there was a boy named Ramón. When Ramón was very young his father would sing him to sleep with the aid of an old acoustic guitar. When Ramón couldn’t sleep his grandmother would give him a glass of warm milk and whisper soft spanish lullabies in his ear. In the mornings when Ramón would want to sit and watch cartoons, his mother would sometimes suggest instead a musical like the sound of music, singing in the rain, an american in paris, or oliver twist, and Ramón would fall asleep. Sometimes they would watch cartoons like pinnochio or snow white, but he would still fall asleep. Ramón seemed to fall asleep whenever he listened to music. This, my dear little friend, was not because Ramón was bored by music. Ramón loved music. It was in his bones. It cried from his mouth and beat in his heart. See, Ramón fell asleep whenever he listened to music because he loved to dream too. He would dream of the songs that filled his head, and dream of the sights that paired with them. He would dream of far off places, and painted landscapes, and fun adventures, but music would always be there, in the background, off in the distance, creating the feelings that made life beautiful to him.
As Ramón got older he learned how to make his own music. He began to travel, and his dreams came true. Now he was helping create that feeling off in the background, that feeling that makes life beautiful to him.
Ramón Vicente Alarcón was born on February 17, 1984, in Kingman, AZ. As a gift, he received a little handmade guitar from mexico when he was an infant. At the age of 9 he began to learn how to play songs, and at the age of 11 he began writing his own. After playing in several bands, Ramón started working on a project where he would tell a story. This project he named after his grandmother, Ramona Córdova, and the story he named “the boy who floated freely”. a story that very well could have been a dream Ramón once had. a story filled with gypsies, magic, love and adventure. a story that just might become the backdrop to some of your greatest adventures.
Artist : RAMONA CORDOVA Title : The Boy Who Floated Freely Format : CD Total length : 31'32" Reference : CLAP009 Release Date : 30/05/2006 Label : Clapping Music
Tracklist :
01 introduction 02 into the gypsy bar 03 giver's reply 04 mixing potion 05 heavy on my head 06 brother 07 sung with the birds 08 one day, someday 09 hot and heavy harmony 10 chesser 11 take flight
